How do long-held prejudicial beliefs show up in a popular novel from England written at the turn of the 20th century, and in what ways do those beliefs still operate today? To what extent can perceptions of antisemitism, racism, and xenophobia be deemed as accurate and true, and how much is in the eye of the beholder?

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In Dracula (Annotated), we explore Bram Stoker’s famous tale of a Transylvanian vampire who invades England, weaving together our unique blend of historical investigation and heightened theatricality to create a new work from the core of the novel. This is the second in a series of “Annotated” productions in which we explode and explore classic or well-known and culturally influential works to disrupt more familiar or comfortable ways of engaging with them.​